Author: admin

  • upset 10/2017 (I bought this for $2!)

    upset 10/2017

    “WHEN I WAS 13, THAT WAS MY PLAN GOING TO MAKE A RECORD WITH STEVE ALBINI”

    FRANK IERO’S NEW EP SEES HIM TEAM UP WITH STEVE ALBINI, AND AN UNEXPECTED 4 GUEST – HIS FIVE-YEAR-OLD DAUGHTER, LILY. WORDS: HEATHER MCDAID.

    FRANK IERO & THE PATIENCE

    KEEP THE COFFINS COMING EP

    ‘Keep The Coffins Coming’ is a glimpse at the time between ‘stomachaches’ and ‘Parachutes’,

    where Frank lero and the cellabration- x-Patience worked out where they were going next. As the band now approach the post-Parachutes crossroads of ‘Where next?, it feels the fitting time to release this snapshot. ‘I’m A Mess’ is rougher and raw around the edges, a fledgeling version of the song that would be streamlined for the upcoming album. It’s got the Steve Albini touch of capturing the vibe of a room – like the basement jam version, the live version. ‘Best Friends Forever’ came to life years ago with Frank’s kids in tow, helping with the writing and dare we say stealing the show in

    the video, and here it evolves into the full band version. ‘No Fun Club’ leaps off with some of the ‘Danger Days’ swagger and Frank yells and shifts gears into the punk revelry he excels in. ‘You Are My Sunshine’ is sickeningly chirpy at the best of times, but put the lero twist on it, and it becomes a mellow, stripped back version of itself to close proceedings.

    The EP saw Frank and co. pondering their future; it was never about perfection, but capturing a snapshot in the band’s lives and a rare opportunity to work with their idols. Rarely do you see the middle step between albums, you just see the endgame transformation. But here it is – the unapologetic, raw and eclectic bridge of Frank lero’s solo work, the bones of what the band moved on to be.

    Heather McDaid

    Frank lero knows one or two things about ticking items off the ol’ bucket list. In his time with My Chemical Romance, he played a sold out Madison Square Gardens, appeared on Saturday Night Live, and headlined Reading & Leeds. He has more plaques than he knows what to do with, and that’s just for starters.

    “I’ve been extremely fortunate in the things that I’ve gotten to do and the bands I’ve gotten to play with,” says Frank. “We crossed off quite a few of those bucket list opportunities with My Chem and now to be able to do that too with my solo career is unbelievable.”

    This latest item to be scored off the list is to work with the iconic producer Steve Albini, who produced Nirvana’s final album ‘In Utero, on his EP ‘Keep The Coffins Coming: The obvious place to start is, how exactly do you react when you get a call saying that you’re off to work with someone like Steve? “It’s weird, man” laughs Frank. “I was in the middle of writing and trying to figure out the next record. My manager Paul asked for bucket list stuff, people I’d always wanted to work with. Steve was always at the top of that list.”

    “When I got the call that he wanted to work with us and we were booked it was like-” he bursts out laughing “-I don’t think I was able to wipe the smile off my face. I’d been wanting to work with him from, jeez, like ’94. When I was 13, that was my plan, I’m going to make a record with Steve Albini, I don’t care how it happens, but that was the dream record to make.

    “His records sound so visceral. Never before did I put on a record where I felt like I was in the room. He really is hands off in that he wants to capture the band’s sound. It’s a special thing, like visiting a museum and getting to be in a room with some of your favourite bands and listening to some of your favourite records. Take ‘In Utero’ for example, those sounds and performances are straight up what was played in that room, there’s no bells and whistles or crazy magic behind the scenes. It’s all about the way he likes it and the way he records it.”

    That was the magic Frank was excited to capture. “I kept thinking on the trip out to Chicago as I’m driving, ‘Oh, man, I’m going to get the call any moment that this was a hoax and it’s not going to happen!”

    But it did happen, and at an interesting

    FRANK IERO & THE PATIENCE

    time too. Sitting between albums, Steve captured the time in Frank’s career between his first solo record and the second, when he was still unsure what it was going to become. video features their vocals and adorable balaclava-clad appearances, and now it’s a full-band song produced by the legendary Albini.

    “They are adorable,” he laughs. “Lily is the one that actually wrote the chorus to that song. Whenever she and any of the other kids would fight, she would passive aggressively stick this thing in their face, this best friends forever song and it really started with ‘Best friends forever but not now. She was just like screaming at them to let them know that she was very, very upset with them.The EP is made up of four songs, one of which made the cut for the subsequent album. “I had written a couple of songs that I knew I wanted to be on the album, but I didn’t know exactly what ‘Parachutes’ was just yet,” he explains. “One of the songs was ‘I’m A Mess. It might have ended up just being a standalone track, but I wanted to bring that in regardless. I knew I wanted to bring in a whole band version of the song ‘Best Friends Forever’ and also ‘No Fun Club. I had been toying with that, and I really needed to get it out of my head. When that started to take shape, I knew that it could work as a standalone release.

    “I DIDN’T KNOW IF THESE SONGS WERE EVER GOING TO SEE

    THE LIGHT OF DAY.” FRANK IERO

    “My way of dealing with that was to take this song and make it into something. We all sat down in a circle with my guitar one day and figured out what the chording would be, wrote the rest of the song and recorded it in my basement.

    I thought it would be really fun to release it and whatever profits came in can go into their college funds. I started to really listen to the structure of the song and realised, man, I can play this live, and they would get a kick out of it whenever they saw I played the song and kids sang along. I put together a full band version and thought it’d be cool to have the original version – like I did with ‘Mess’ – with the kids on it, and now you have this full band Steve Albini version.

    That’s the other thing too, a bucket list: I’m going to go in the studio with Steve Albini, someone I’ve wanted to record with ever since I was a young kid getting into music and punk rock and playing in bands. That mirrors my kids being young, writing songs. How cool is that? She released her first single and video at five, and I took that song and recorded it with a legendary engineer and producer. That’s crazy. I knew that song needed to be done that day.

    Basically what you’re hearing is a stop gap where the band transforms from where we were at the end of touring ‘stomachaches’ and right before we really fully realised the ‘Parachutes’ record. That time for me is almost like this lost in translation moment. There was definitely this bridging gap between those two records – this is that hidden step. It’s interesting because as a listener, you never see that step. You hear album one. wait while your favourite bands are in the studio, then hear the final step in the evolution to album two.

    Exactly! Here’s the thing, when we went in the studio, I didn’t know I was going to record an EP. I just wanted to record these songs, whether it was just for me or not I’d be happy with it. I didn’t know if these were ever going to see the light of day, it was something I needed to do.”

    ‘Keep The Coffins Coming’ is a snapshot in time. It captures an opportunity beyond

    Frank’s wildest dreams, a crossroads where he pondered the next step, and a gift to his kids in various forms. Right now, he sits between album two and three. The question is, where next? Whether or not there’ll be the chance to see the next stop gap for this particular era, we sure are excited about the upcoming ride.

    An interesting side-effect of the process was double-recording songs. Frank wrestled for a while comparing the two versions of ‘I’m A Mess’ but ultimately grew to see they fit perfectly in their own respective worlds as two different versions. Seeing that evolution in songs is something he was also able to gift his children by including their collaborative song ‘Best Friends Forever.

    Frank lero And The Patience’s EP ‘Keep The Coffins Coming’ is out 22nd September.

  • 11/01/2005 wolverhampton civic hall wolverhampton england

    more photos from blackvelvetmagazine.com (why I think it’s this show)

    11/01/2005 wolverhampton civic hall wolverhampton england

    source: imnotokay.net

  • photos from mychemicalromance.com 2004

    non concert photos from mychemicalromance.com 2004

    source: web.archive.org

  • 06/04/2005 hot topic interview with gerard

    HT: Some people are just beginning to discover your success. How long has the band been together and jamming?

    Gerard: The band has been together 3 years. Another interesting fact is that the band has yet to “jam.” It’s never been the kind of situation where we sit around and search for songs. The songs find us, we assemble, and put the pieces together.

    HT: You guys write music that follows some type of concept. Does this help you write the music and do you mind giving us a breakdown of how a concept is brought to the writing table?

    Gerard: The concepts for the songs almost always come from the music. How the music makes us feel dictates where the direction lies. Occasionally, the song concept will come from a long list of unused song titles I have sitting in my mom’s computer. They will sometimes find a home.

    HT: If you were stranded on a deserted island with only 3 albums to jam out to, which ones would you choose?

    Gerard: This is a tough one but I would probably go with The Queen Is Dead by The Smiths, Walk Among Us by The Misfits, and Music For Airports by Brian Eno.

    Gerard: The band was nervous, scared, excited, and anxious but all very positive and looking forward to what we were about to make, which, by the way, had no definite shape or sound.

    HT: You guys have been on tour forever! What’s one of the things you love most about being on the road?

    Gerard: The camaraderie you share with your band mates and other bands is priceless. The victories and defeats you have everyday are immeasurable when compared to other lifestyles or careers. The risk and hardship are great but when you have 3,000 people sing back your words, you win like no one ever wins.

    HT: Gerard, does anyone ever mistaken you for Billy Corgan?

    Gerard: When I was younger, it would happen all the time. When he shaved his head, people thought I was him with a wig on. He is, in fact, a lot taller than me.

    Gerard: We don’t get on the internet much, but when we do, some of our favorite sites are www.homestarrunner.com, www.absolutepunk.net, and www.americandreamcomics.com

    HT: We are in a new age of music with new gadgets to accommodate that music, and it’s pushing us into the future. How do you position yourself on music downloads, for or against?

    Gerard: Downloading is a good thing, protected under the federal laws. The way I’ve always felt about music downloading is this. If you are curious and want to find out what a band sounds like, then go download it. If you like it, go buy it. If you hate it, well then there’s really no reason to buy it. But ultimately, a band’s record sales support them personally, so if you want the artist to be able to go live and work then you should pick up their music… for the cheapest price possible.

    HT: What’s a question you wish was never asked from a fan or interview?

    Gerard: Hmm…“Would you please bite me on the neck?”

    source: web.archive.org

  • gerard isn’t mad about fics and I think more people should know

    no opinions here from me just thought this was a thing x

    gerard tweet archive below!

     

  • franks tale from 2005 interview

    WTF 2005 FRANK

    07/04/2005 rockpulse interview

  • 07/03/2005 rock pulse interview

    ‘Skylines & Turnstiles’ 

    R.P – In Skylines and Turnstiles awkward silence is mentioned – who out of the band is most likely to break an awkward silence first? 

    F – To break it…Mikey Way 

    R.P – And how? 

    F – Catchphrase!

    G – Hmm, I think Ray Toro right probably break an awkward silence.

    F – I had a different answer

    G – Who in the band likely to break an awkward silence. It’s a tie between Ray Toro making a joke or Frank making a smart ass comment. One of those two things will break up an awkward silence, me and Mikey will just sit there and let it go. 

    R.P – Slightly different from Frank’s answer 

    G – What…Who he say? 

    R.P – He said Mikey 

    G – Ah

    F – Catchphrase

    G – That’s right!

    F – He just walks in a room and goes nooner

    G – Yeah that’s true, that’s true

    F – Ahh so you were wrong!

    G – Well no it’s all agreed really, I think me and Mikey have the catchphrase thing. “

    source: web.archive.org

  • 12/01/2007 rod laver arena melbourne australia

    12/01/2007 rod laver arena melbourne australiaskank photography

  • 12/10/2010 roseland ballroom nyc ny

    12/03/2010 roseland ballroom nyc ny – kenny shin on filckr

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