english translation:
pg 1. “VISIONS
MUSIC FROM PASSION
Gerard Way
and the fight against one’s own image”
pg 2.
“Double attempt
my chemical rumanre
It is the story of an album that never became one and a band that is fighting against its external image: My Chemical Romance reinvent themselves as a pop art band, as futuristic Mad Maxes with funky laser guns in a universe of quotes, cross-references and broken meta levels. The end result is Danger Days: The True Lives Of The Fabulous Killjoys – a record that would not exist in this form if My Chemical Romance had not failed at the first attempt.
TEXT: JAN SCHWARZKAMP
PHOTOS: SEBASTIAN ARTZ”
pg 3. “ A new My Chem song with rough edges was Black Dragon Fighting Society, a hardcore hit in the Misfits style that suited the band perfectly. That’s right: "was” and “stood”. Because that too is now buried in the archives. “Some people will probably hate me for saying something like that, but: The song is more punk than punk. Nobody expected us of all people to record a song like that. The song was deliberately not meant to be longer than a minute and a half, because only the best songs are that short, if you think of Minor Threat alone.” At this point, Gerard has no idea that he is about to make a new start and that Black Dragon Fighting Society will not survive. But there is something that will point the way for the future. A comic. “I’m currently working on a project called The True Lives Of The Fabulous Killjoys, which will be completely different to anything you’ve ever seen from me before. It will be my first adult comic, extremely violent. Imagine it as a sci-fi lo-fi punk odyssey, full of references to the Ramones and with a lot of laser-creaking.” The stuff you can knit an album out of, as we will see.
SECOND ATTEMPT
End of September 2010, ten months later. A trailer for the new My Chem album has been circulating online for three days. Danger Days: The True Lives Of The Fabulous Killjoys is what it is called. The trailer shows the four protagonists: Gerard, Mikey and the two guitarists Frank Iero and Ray Toro. No sign of black parade uniforms, but My Chemical Romance now look like four Tank Girls, reinforced by a sissy rollerboy. There is also action à la Mad Max vs. Power Rangers, a bit of 70s road movie flair in the style of Vanishing Point and the crude, grainy look of grindhouse cinema. The band’s reinvention is complete. The light-shy moth has turned into a bright butterfly that fires laser beams.
My Chemical Romance – minus Frank, who is looking after his newborn twins – have been answering journalists’ questions since the early hours of the morning. The most luxurious place to do this is the legendary Sunset Marquis rock star hangout in West Hollywood. Let’s start where we left off the recording device ten months ago: with the comic, which has now become an album. “Yes, the comic is about exactly the same topics that are also found on the album,” confirms Gerard. “The nice thing about the album is that there is no overarching story, it has no concept whatsoever.” Gerard, now with red hair and a healthier complexion, is sitting on a couch again, this time without a cigarette. Ray and Mikey support him. Or not. Because if anyone has anything to say here, it’s only Gerard.
No concept, then. But soon a comic and finally the corresponding album. On the record we meet the DJ called Dr. Death Defying
From black and long to blonde and short to black and the parade moved on. The new costumes are colorful, the record is not as grim as the last ones. “The new record is the most important thing. The last video we had I had this color palette of red.[makeup]”
FACE
With make-up and goth outfits, Gerard looked for a while like the illegitimate son of Robert Smith and Tim Burton, with his hair tied back. In that respect, My Chemical Romance only had themselves to blame for being perceived by some as a dark puppet show. At least you have to give them credit for being early on in this. “We did what we did, regardless of what others thought of it. When the whole thing became popular, we stopped it because we were simply done with the style. After all, our aim with The Black Parade was not to put on a cabaret show, but rather an expansive, theatrical death rock show.”
HANDS
Gerard doesn’t play an instrument, even though he’s a guitarist. He takes care of the lyrics and conceptual ideas. Armed with a notebook, sketchpad and laptop, he works on his comics mainly on tour. “That works best. I sit in front of my computer and write scripts. I get the most done on the road because I have a lot of free time. And then there are the nights. So what do I do after a show? I write until two in the morning.”
FEET
At concerts, Gerard walks a few hundred meters. No instrument ties him to one place. He is one of my absolute favorite front men,“ says brother Mikey. He is General Patton, that is his role. He is also so intelligent and eloquent. Having a brother in the band makes a lot of things easier. We would hang out together even if we didn’t play in a band together.”
HAIR
long. And now: red. The gloom has gone, the black look is sunny, the music – brighter. “The lyrics of the new songs on The Black Parade are so dark that I wrote them. The opposite.” One change that the band turned to was that of teenagers. They were already fed up with black and white.“
COMPLEXION
You can’t tell from the photo, but the California sun is rubbing off on Way’s new home. Gerard looks like he’s just come back from a beach holiday. "I’m quite happy about that. There’s no reason for me to stay pale,” he says. Brother Mikey adds: “29 years of pale skin is enough.”
T-SHIRT
“It has no political meaning. The American flag is used all the time anyway.” In the interview, Way is wearing Chucks with the Stars Spangled Banner. We’ll probably have to ask ourselves that question more often in the near future. The record is clearly not political, and neither is the look. We’re just using it – a flag is like a tribal, you mark your territory with it. Our corporate identity, the symbol with the spider, is also such a powerful, universally applicable symbol.“
PANTS & JACKET
The look changed: Gerard and the band won’t be appearing on stage in simple denim outfits any time soon. "We wore marching band uniforms for three or four years,” says Mikey. When we came back from the Black Parade tour, we had to redefine our lives and deconstruct ourselves. We wanted to drop everything and see what was left. Killjoys is the result of that – as if we were rebelling against The Black Parade, taking a stand against our own last album. A trailer shows the band as colorful end-time punks with laser pistols and Pontiac Trans Ams. Fans are already sending us photos, inventing color concepts for their Killjoy gangs and making their own weapons.“ "Sure, there have been things like that before,” says Gerard, but what band offers that today? It’s like a new Star Wars movie coming out. Nobody knows exactly who this Darth Maul is yet, but people are already dressing up like him. “Last time, our fans designed their own uniforms. This Killjoys thing is a bit more personal because it leaves more room for interpretation. The kids aren’t dressing up like us anymore, they’re creating their own characters.”
pg 4. “Dr. Death. He delivers the intro, reads a traffic report and hosts the spectacle. There is a trailer for the record and now also a music video for the single Na Na Na, which is about our heroes and their new alter egos Party Poison (Gerard), Kid Cobra (Mikey), Fun Ghoul (Frank) and Jet Star (Ray). That’s not a concept? "Well, yes, it is. But what it is supposed to be above all is a big pop art experiment. As it progresses, the fans and we will add more and more to the story. For the comic itself, my co-author and I already have precise ideas about what will happen. But we could also still question everything. If we shoot scenes in the desert, for example, they will dictate what the comic will look like.” Aha. Let’s wait and see instead of going into too much detail. Otherwise we’ll get tangled up like in the confusing universe of Coheed And Cambria.
When we met last year, there were seven songs to listen to, none of which made it onto the album, or at most in a heavily modified form. What happened?
“When we met, we were mixing. Ray was at home with family things. Frank and I were trying to make the album sound the way we wanted it to. But it didn’t work. Since I’m only the lyricist, I couldn’t explain in musical terms what sounded wrong to me. Anyway, we had to approach it from scratch and talk to our producer Rob Cavallo about how we could do it. I had a song called Na Na Na that I had written in the desert. While we were still working on the old recordings, I said: let’s record this song. We went into the studio and within one night the thing was done. That’s when we realized that we had to rebuild the entire album from scratch, including the songs that we had already finished.”
Last time you said that the new album would be a reaction to how you are perceived as a band. What is the situation now?
“It can’t be about what anyone thinks of what you do. It’s about doing it for yourself. That would be the worst thing: making music for the people who
not like you just so they like you. Should I be a bit tougher? Or more punk somehow? Will you like me then? Nah, not with me. That was also my biggest beef with the last recordings. They were good, but not outstanding. And if I had any complaints about them, it was the feeling that I had accommodated other people’s views too much. We wanted to assert ourselves as a rock band. We only managed that with Killjoys.”
The days of The Black Parade, the big gestures and all the pomp, definitely seem to be over. Looking back, did you lay it on too thick?
“Yes and no. It was an extremely ambitious album. I wouldn’t say it was too hard-working, because we didn’t try too hard. But we put a lot of work into it. We had to use a certain arrogance for the album. A lot of people thought at the time that we were a flash in the pan. We had released a hit album and were now going to go under with the emo hype. So we exaggerated everything, a defiant reaction. Even though it wasn’t fun at times, we were constantly laughing because we felt kind of stupid doing it. With Killjoys we may not have laughed as much – but we had more fun.”
THE WATCHMEN
The last sign of life from the band before Killjoys was the Bob Dylan cover Desolation Row on the soundtrack to the graphic novel adaptation The Watchmen. The video for the song was directed by Zach Snyder. “For free,” Gerard marvels to this day. “Zach was so in love with his own film that he was still re-shooting scenes even though he had already finished it. This included the video for our song, which was obviously very important to him. He wanted to know what I thought about it. I told him that our cover version should sound like the Jim Carroll song People Who Died – like a big, loud ‘Fuck you!’, the film is one too.” Snyder chose My Chem because he knew that Gerard is a comic book author and that his The Umbrella Academy, like The Watchmen, won an Eisner Award.
GRANT MORRISON
Morrison plays the bald villain in the Killjoys trailer. He’s a comic book writer like me and my personal hero. We’ve been friends since The Black Parade. Greg is one of the most respected artists in the comics world, alongside Alan Moore and Neil Gaiman. He wrote his own character from the trailer and designed the costume himself.
COMICS FOR YOU
The second part of The Umbrella Academy, called Dallas, has just been published in German translation by Cross Cult Verlag and has already won Gerard and illustrator Gabriel Bá the Eisner Award. We are giving away three copies of the hardback piece of bloody pop culture. Write an email with the subject “Dallas” to [email protected]. The deadline for entries is November 19th.
11/2010 visions magazine
