06/11/2004 equal music interview with gerard by danielle moskowitz
“When Warner Brothers/Reprise invited me to come talk with Gerard from My Chemical Romance about their new album at their record release show, how could I have refused?
The show was in their home state of NJ, packed with 1300 cheering fans. What made the show even cooler for me was featured artist, Nightmare of You was on the bill too! (NOY is still currently unsigned and have been playing with My Chem. Good for them!) I love when Equal Music bands get together!
Is their latest apart of a trilogy? Front man Gerard explains. He also reveals what why it didn’t turn out to be the concept record they had planned it to be and what are they doing in Tokyo with The Beastie Boys? (Original interview from Oct. 31, 2003 follows this latest one from June)
DM: When we spoke last you guys were shopping for a producer. Who did you wind up working with and why?
Gerard: We wound up working with Howard Benson. A big reason was because he contacted us which is always very exciting. He was very enthusiastic about the project. It’s not so much that he got what world we came from because he’s worked with bands like P.O.D. and Blindside which is a completely different universe but he got what we were trying to do with the music and so we connected on a lot of levels.
DM: How was this experience different from working with Alex (Eyeball Records) and Geoff (Thursday [Island/Def Jam]) front man?
Gerard: That whole experience was hanging with friends and having a really fun time. There wasn’t a lot of money or pressure. But then this experience didn’t have that much pressure either which was weird. It was very a positive experience that had a really good flow. But yeah it was very different.
DM: You said in October that while you were finishing the first record you knew what you wanted the second one to be called (which is their latest, Three Cheers for Sweet Revenge) and at the time since you knew the name for the second one you had an idea for what you wanted the third record to be called, although there’s not going to be a trilogy so how do you know? Where’s the connection with that?
Gerard: It’s the kind of connection where you kind of always have a sense of what you’re band is doing and where it’s headed. I think we have a good idea of kind of like what the first record should be.It should be fast and dirty and cheap. Then the second one you really up the ante and really go for it with this one. The third one you try to explore new avenues. We ended up doing a lot of that on this record. We actually ended up being way more experiemantal than we thought we were going to be. It sounded good to us so we said let’s keep doing it.
DM: To jump ahead, do you know what the next one’s going to be called?
Gerard: From this experience I learned I shouldn’t do that anymore because it locks you into something. And this record wound up being half a concept record because so much happened in our lives that when it came time to write lyrics I found out that it was less ficiton and more fact. So it’s a very loose concept record. I want to see what happens for the third one and actually not plan anything out. I think that will be interesting because- it’s not that we’re calculated but we always kind of know where we’re headed and kind of vibe on it. For the next one I kind of don’t want to have that.
DM: What kind of mood do you feel like the new album has?
Gerard: I just started listening to it as a piece now, not just bits here and there it’s really about loss. The first record was more about pain, misery and agression and violence. Although the lyrics can be disturbing at points, it’s really about loss. In the end that’s what it wound up being more about instead of some story. You can pick it out of at least four or five of the songs. Even the performances that everyone gives too makes it feel like it’s really about loss.
DM: Do you feel like it’s dark?
Gerard: Yeah. It’s already been called that by a lot of people. We got a parental advisory without even having more than one curse in it. I think it’s dark but I think it’s a lot more positive than the first record.
DM: Yeah, I remember you saying that you felt the ups were going to be more up and the downs more down.
Gerard: Yeah and they really ended up being like that. But, there’s definitely more moments of positivity and celebration than on the first record.
DM: What are some of difference of working with an indie and working with a major?
Gerard: This record was really painless so I can’t truthfully answer that as a band that’s in our position. We are really rare case of– it was very similar to the first record where we did exactly what we wanted and luckily because they knew who we were when they signed us that’s exactly what they wanted. There wasn’t much of a difference other than the fact that there was obviously a lot more deadlines and a lot more pressure to get things done on time. That was the big difference but that was actually it.
DM: You’re going to Tokyo soon for Summer Sonic Fest. You must be excited.
Gerard:Yeah, it’s awesome, we get to play with The Beastie Boys and I’ve never seen them.
DM: What’s going on for you guys for the rest of the year?
Gerard: Pretty much straight touring till the record cycle is over. It’s usually about eighteen months from the time you start a record until you’re done touring on it and should be starting a new one. There’s already stuff I really want to write. I want to start immediately. As soon as we finished this I wanted to just do another. We’re very much a live band but at the same time you get in the studio and you remember you’re very much all songwriters and we had forgotten that part of us. I’m still in that head fix where I want to write more songs.
DM: Maybe you can still do that while you’re on the road.
Gerard: Yeah, we plan to do it on Warped Tour. It will be our first time really on a bus so we’re going to have more space and we’ll be comfortable. Right ater that we’re going back to a van so Warped Tour is really going to be the time that we write.
danielle moskowitz october 31, 2003 (2nd interview below)
Juxtaposing raw vocals and a punk edge against riffs suddenly gone melodic, My Chemical Romance takes you from upbeat drumming in one measure to a moment where you find yourself lost in slow, somber guitars the next. Listen closely as their vocalist Gerard reveals glimpses of himself through his brutally honest lyrics that hold traces of darkness around them.
DM: The bands success seems to have come very quickly. How long were you a band before signing to Eyeball Records?
Gerard: Let’s see—January is when we started playing as a band. We signed around our third or fourth show. It’s been quick since the beginning.
DM: What were you doing with your lives before the band took off?
Gerard: I was doing animation in the city [New York]. I was actually doing toy design in Hoboken [New Jersey], and Frankie was going to school, Mikey was going to school, Otter was a mechanic, and Ray was delivering film I believe and interning and stuff like that for film. We all just weren’t happy doing what we were doing, ya know?
DM: Geoff from the band Thursday and Alex from Eyeball [Records] I know played a big part in the recording of your last CD.
Gerard: Yeah, definitely.
DM: Are they going to be playing any part on your CD that will be coming out?
Gerard: I don’t think so. Sometimes you want to use the same people sometimes you want to see what would happen with other people. I’m sure they’ll hear it and we’ll ask their opinions.
DM: So they’re not going to help produce?
Gerard: Nah.
DM: What made you guys decide that a major was the next best move?
Gerard: It was one of those things where everything else was moving really fast but we had been able to keep up with it, ya know? We had been able to keep up with the shows that we were getting which were like going from playing basements to playing in front of 10,000 people with Jimmy Eat World. So it went from that to that, and it seemed like a very natural progression. And although a lot of people think it seemed quick, all that talk and all that nonsense was happening before our record even came out. It was like, we basically not fought them off, but said hey we’re going to be a band and do that, ya know? And then when we’re ready…Actually it was a lot longer process than most bands that are getting signed today.
DM: What made Reprise the best label for you guys?
Gerard: It was the best company. They were very familiar with us. We had a lot of fans at the company before we had signed. We had a lot of people helping out before we had signed.
DM: And they understand where you guys wanted to go musically, as a band?
Gerard: Yeah, exactly. That was the big thing. They knew where we wanted to go, they knew how we wanted to do things, and they were going to let us do it our way. Very low pressure type thing. Just kind of let us be us and you distribute us.
DM: When is the new album due out?
Gerard: We’re hoping it will come out in about in about spring. We’re going to record in January. We don’t have a producer yet. We’re looking at a few people and they’re looking at us. So it’s kind of that whole game right now.
DM: Do you have a title yet?
Gerard: Yeah, it’s called Three Cheers for Sweet Revenge. And it was a title that… we pretty much known the title for the first record before it was finished and as soon as we were done with that I kind of knew what I wanted the title to be for the second. So it’s kind of in the process where I kind of know what I want the third to be too.
DM: Is it a trilogy type thing?
Gerard: No. This one’s different from the last and it’s more fictitious, but it’s still heartfelt. And it’s more of a concept record than the last one, where the last one was more of an autobiography. But the next one’s more of a concept album about a person; the next one after that I don’t what know what it will be.
DM: While you guys have been on tour you’ve been playing new songs live and they seem to be heavier. Would you say that is the direction you guys are going in?
Gerard: Well, yeah. The heavier stuffs heavier. The heavy stuff we did before is definitely heavier now. Those same elements are there; we’re just spending a little more time on the heavy stuff. But at the same time I think there’s way more melody. Maybe not in the stuff we’re playing out live, but it’s more violently happy. But it’s also very ironically bleak ya know, as far as tone goes.
DM: Track seven on your CD [I Brought You My Bullets, You Brought Me Your Love] is called Skylines and Turnstiles. Is it true that it was inspired by September 11?
Gerard: Yeah, and in fact that event happening was a big thing about why we started the band because, I was on my to a meeting with Cartoon Network and then that happened and I was like what the fuck am I doing with my life.
DM: You saw it happen? You were in the city?
Gerard: Yeah, I was in Hoboken, on the way there. I was right across the river and I was on my way in right around that, very close to that area, but more around Canal, and I was like what the fuck am I doing?
DM: It made you feel like life’s too short and you need to go for what you want?
Gerard: Yeah, yeah exactly. Like obviously life is way too short, you don’t know when your numbers coming and I also felt like I wasn’t making a difference at all, ya know what I mean?
DM: There are a couple theories circulating about your repeated mention of vampires in your lyrics. Can you clear that up?
Gerard: It’s a metaphor for being in your twenties and getting sucked into that singles, alcoholic nightlife culture, ya know what I mean? It’s interesting, because you’ll find that a lot of bands use the supernatural as a gimmick, and that’s really all it is, it’s just like horror punk, and that’s all it is. We’re not really into vampires. I like to wear black, but…
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source: web.archive.org
