gerard pics that were circulated often when I was a kid from britishpunk.com 2006
and bonus just this one was crazy:
I know I should put what show but just be cool š
source:Ā web.archive.org
gerard pics that were circulated often when I was a kid from britishpunk.com 2006
and bonus just this one was crazy:
I know I should put what show but just be cool š
source:Ā web.archive.org
My Chemical RomanceĀ – Frank Iero interview with Bobby from thepunksite.com
May 19th, 2005 Rexall Place – Edmonton, Alberta
AsĀ My Chemical RomanceĀ passed through Edmonton as the sole opener for theĀ Green DayĀ North American tour, Frank Iero was nice enough to sit down with me and answer a few questions. He was really cool and gave some intelligent answers and made for a great interview. My friend Jacey helped with some questions and pops in a few times during the interview. Thanks a lot to Frank for doing the interview and to Laura for setting it up. Enjoy!
Please Note: All pictures were taken, without permission, from the bandāsĀ site.
Bobby: Starting with the simple questions, you guys have been touring with Green Day for quite a while now. How has that been going?
Frank: Oh man, itās been amazing. I canāt believe tomorrows our last day. Itās one of those things that you get the phone call, and since you were thirteen you wanted to tour with Green Day, at least play a show or see them or something; and when they ask you to tour with them, it kind of blows your mind. You donāt think that they are asking the right band. But this tour has been amazing. Weāve go to hang out with our heroes who treat us like peers. And we get to watch Green Day every night, so thatās pretty cool.
Bobby: Has there been any really memorable moments from it so far?
Frank: Ah man, thereās so many. I mean, the shows are just insane. The shows are unlike any shows weāve ever played. The kids are great. In fact, it shows that weāve been playing really well because it takes a while to get used to an arena, you know? But thereās also other memorable stuff that weāve done outside of the show on the tour. Just hanging out. Like we all went to go see Star Wars together, the other day we went to a Water Park in town. You know what Iām talking about? That was ridiculous.
Bobby/Jacey: Yeah. The one in the mall?
Frank: Yeah, that one. They take us on dates and stuff, itās really cool.
Bobby: How did you end up getting the opening spot? Like did they just call you, or what?
Frank: Basically, thatās how it happened. The way things work is that a tour will be planned for a headlining band. And then support bands will submit for the tour and say āHey, weād love to go out with youā, you know, āconsider us.ā So I guess we submitted for it, and they picked us. It was ridiculous too because thereās only two bands and thatās really unheard of these days. Usually itās like a three band bill, four band bill. And for us just to be us and Green Dayā¦ Itās not like they picked us because they needed us to sell tickets or something, like they didnāt need us at all. They just liked our band, and that was really flattering.
Bobby: You guys also recently ended the Taste of Chaos tour with The Used. How was that?
Frank: That was fun. That tour was really different because it was a lot of bands that we had toured with back in the day. Bands like Underoath, Senses Fail, and A Static Lullaby we tour withā¦ I guess two years ago and we were doing hundred person rooms, three hundred person rooms. And The Used we toured with a bunch. So it was like all our friends getting together. And when all our friends got together, we could play arenas; and that was really weird. Weād all kind of look at each other and say āIs this real?ā But I guess thatās the beauty of it.
Bobby: On the tour, for your encore you guys and The Used did a cover of Queen and David Bowieās āUnder Pressureā and now you are selling it on iTunes. Why did you decide to do that song?
Frank: Well, it was one of those things that Bert brought up and said āI really want to cover this song; I think it would be awesome if both our bands did it.ā And we were like āO yeah, thatās rad!ā We love Queen. We love David Bowie. But a lot of things in the industry happen where itās like āLetās do this!ā and then it never happens. So I guess fortunately, and unfortunatelyā¦ Unfortunately the tragedy happened and fortunately the song came into fruition because we wanted to do something for the disaster. So I think that kind of sparked it. We recorded our parts in L.A. right before we did the āHelenaā video; and the Used did, I think, some of it in L.A. and I think Bert recorded his vocals in England. So it was weird, we were never in the same room or anything like that when we did the song. So the first time we ever did it live was a test. We did it once or twice, and they were gonna film a DVD for the tour and were like āO, it would be great if you guys both did it because youāre both here, it would be really cool.ā And weāre like āAlright, weāll try it.ā We were excited to play anyway and then it was just one of those things where it was just fun to do every night, so we just did it.
Bobby: Did they film a DVD for the tour?
Frank: I believe so.
Bobby: Do you know when it will come out?
Frank: Nope, I have no clue.
Bobby: With the release of āThree Cheers For Sweet Revengeā, you guys have skyrocketed up the popularity chain, especially here in Canada. You guys went from playing for 100 kids at Warped Tour to selling out arenas at the Taste Of Chaos and opening for Green Day. Why do you think that is?
Frank: Itās one of those things where you start out, you form a band and you write some songs in your basement and you put out a demo or a record on an indie label and you just tour because you love to do what you do. Then you run into kids on the road and they say that they enjoy your art and say that youāve changed their life in a certain way and thatās the best compliment you can get. It makes you feel like youāre really doing something, like youāre actually changing the world. We havenāt stopped working since those days, so to take a step back be like āO wow, weāve come this farā ā that really doesnāt happen. All I know is that more kids are coming out. I have two plaques in my room, I donāt know, but I donāt see them ā Iām never home. Why did that happen? Iād like to think that people heard it and knew that we were a real band and that we had something to say and enjoyed that and took that to heart. I hope thatās the reason. Weāve worked really hard. Maybe thatās it. Maybe God likes us, I donāt know.
Bobby: Do you guys think that that humongous leap in popularity could ever turn into a bad thing?
Frank: I think that anytime a large number of people hear your music and enjoy your music, thatās a good thing. Iām not stupid; I know that a lot of those people could be fair-weather fans. Thereās definitely a lot more āGerard, youāre so cuteā rather then āplay this songā. Thatās a shame. Hopefully the kids who bought the record now and bought it because they think Gerardās really cute will listen to the record and learn about the band and grow into it and realize why they really like it. If they donāt, thatās fine. If theyāre not there tomorrow, weāll still be doing this and weāll still be doing this for the people that do get it.
Bobby: How did you get in contact with Reprise Records to release the album?
Frank: Well, hereās the thing. Do you remember Thursday? When they were huge ā well, they are on hiatus right now, but like when they got signed, there was a signing frenzy, you know what I mean? Labels were just salivating to sign any band form New Jersey. Kids that had black hair. Kids that wrote about New Brunswick or anything. Anyone from New Jersey was getting signed and you could see that a lot because anybody that was in a band from New Jersey got signed. We were a band for maybe,Ā maybe, two months; and major labels were calling the practice studio that we were practicing in, and that was really weird. We were just like āThis is kind of bull shit. You donāt want to sign us; you just want to sign the next Thursday. Weāre not going to do this.ā We signed to Eyeball, put out an indie record and toured for a while because thatās what we wanted to do. We wanted to make something on our own and itās a lot better when you work for something. And then we felt it was time to make a jump, or take the next step. Eyeball couldnāt reach the amount of people that we really wanted to reach. We toured a lot without the record being really anywhere. And we were like āyou know what; weāre not going to sign to another label unless we find something that really gets us and it feels like a family.ā And one day we were contacted by Reprise. Reprise, Warner, same thing. And we signed for the company. Everybody that works with our band gets us. They wanted us to be My Chemical Romance, they didnāt want us to be The Used, they didnāt want us to be Thursday or whatever. And that was amazing for us. There was no stipulations, its was just go out, be a band and write songs that you love to write. So we were like āalright!ā and we did. I really donāt think they thought they were going to get a really good record, and I think we wrote a really good record so weāve never regretted that decision.
Bobby: Whatās it like switching from a small independent like Eyeball to a major like Warner Music?
Frank: You feel like people are behind you, you know what I mean? Itās weird; I always thought that it would feel less like you have people behind you because itās such a big company with so many bands. But a lot of people have our backs. A lot of people are pushing for this band to do well and for us to reach our goals. We really just have a lot of help and thatās a great thing and thereās people at the label that really believe in you and their job is to, basically, make sure you get what you want. If we wanted to, letās say, do another David Bowie cover, they would make that happen; and thatās awesome you know. Thatās really the only difference, and your record is everywhere.
Bobby: Yeah, because itās hard to find your first one. All my friends are looking for it and canāt find it.
Frank: For that, we just say go on the internet and find it.
Bobby: I gotta ask this because I love your videos, like we were watching them at my house last night. āHelenaā and āIām Not Okayā, where did you come up with all the concepts of the video?
Frank: Because weāre just nerds. Thatās how it is. We sit in our van or our bus, bus now, and just talk about stupid stuff. Read comic books and watch movies. And then the labelās like āWe want to do a videoā and weāre like āOkay, this is what we want to do.ā Then we found a director, his name is Mark Webb. He did both our videos and heās directing our new video that we are doing inā¦ actually three days. And heās like āalright, I think we should do thisā and we wanted to do this, so we just kind of mixed it all together. Same thing with āHelena,ā although āHelenaā was a little bit easier only because I left it up to Gerard. It was about his grandmother, him and Mikey. It was their homage to her. It was creepy, because I was at the actual funeral and it resembled the funeral almost to a T. It was really weird. And some of that you wanted, and some of that just happened. But with the dancing and everything like that, well we always try to have an uplifting theme. I think our music is very ironic in that weāll have a dark theme with heavy music and a darker theme with an uplifting message.
Bobby: You just said youāre shooting a video in three days, for what song?
Frank: āThe Ghost Of You.ā
Bobby: Do you have any ideas as to what the concept is going to be?
Frank: Yes. But I canāt tell you. Sorry. Itās going to be huge. I promise you this, itās going to be more like a movie then any other video weāve done and itās going to be enormous. Yeah, weāve thought this out a lot. It could really, really suck, but we hope it doesnāt.
Bobby: Now Iām looking forward to seeing this video. How do you guys pick what songs you want to be singles?
Frank: Well, itās one of those things where when we wrote the record we had ideas for what songs we wanted to hear on the radio, but we didnāt really decide any. It was kind of like āwe like all our songs, youāre the label, and you decide which ones to put out.ā And they were like āokay, put this one out. Put this one out. Put this one out.ā If, after this one, they do another, I hope itās āPrison.ā
Bobby: On the āIām Not Okayā video, Gerard says āI donāt wanna make it, I just wannaā¦ā and then it cuts to the music. Can you finish that sentence for us? āI donāt wanna make it, I just wannaā¦ā
Frank: See, the original line wasā¦ well, it summed up the entire cheesiness of the teen movie type thing. It was āI just wanna rock!ā And it was just too much. We wrote a million other things, āI just wanna be myselfāā¦ ah, what were the other onesā¦ there were so many. But we just left it open because I think you get a lot more out of it if you just leave it open and put whatever you want to put in there. In that scene, Gerard is like every kid. Heās me, heās you, heās everyone. Itās like, you know what, a lot of people are told they arenāt going to make it, but just do what you do best and live your life. Live it for yourself, and really just fuck everybody else.
Bobby: A lot of punk āelitistsā are starting to complain about the whole āemoā trend. Guys wearing makeup, and wearing girls pants. Mark Adkins from Guttermouth went on a huge rant about it all on their site and even went to the limit of calling Gerard a āfat pink raccoon.ā Whatās your opinion on all of that?
Frank: I think, heās a racist, heās a sexist, heās homophobic, heās a hateful person, and itās just wrong. We could all sit here and call people names and hate people for the way they dress or the music they like or just the things that they think are cool. But that doesnāt make us any better. Itās an awful thing where you have such a soap box, like you have a lot of fans that are into your band, and you use that to spew hate. I guess thatās his opinion.
Bobby: You guys are also heavily involved in the Shirts For A Cure project and have a total of four t-shirts on there now. Why are you guys so involved in that?
Frank: Because itās a good cause. Definitely, maybe this sounds dumb or naive, but when I started playing music and when I started growing up, all I ever wanted to do was to change the world in some way. Make a foot print. I think the worst thing you could possibly do is to live your life and have the world be the same way it was before you were here as it is after. I think that weāre here for a reason and if we donāt do something to make the world a better place, then we just wasted everyoneās time. And if we can do something as small as put t-shirts on website and raise money for a cure, then weāre going to do that.
Bobby: Okay, if you guys could pick one person or band, dead or alive, to tour with, who would you pick to tour with and why?
Frank: Oh manā¦ Definitely the original Misfits line up because they are just amazing. The Clash would be amazing. The bands that I grew listening to, like Black Flag. Man, if I could tour with Black Flag with Keith Morris singing, like the original line up, that would be amazing. Yeah, bands like that.
Bobby: Okay, now onto to more unusual questions that I like to ask at all interviews. First off all, if you guys were stranded on a desert island, with no food and nothing to eat, which one of the band members would you eat to survive?
Frank: Wow. O man. It definitely wouldnāt be Mikey, because heās got nothing. I donāt know. I wouldnāt eat Gerard or Bob because they are just great company, and I wouldnāt eat Toro because heād probably be the one to figure out a way off the island. So Iād probably have to eat my own leg.
Bobby: If you were the member of the opposite sex for a day, or a week, or whoever long you wanted, what would you do and why?
Frank: Man, what would I doā¦? Iād probably get lower car insurance. I donāt know, what would I doā¦ thatās a good question, Iāve never really thought about it.
Bobby: Yeah, not many people do.
Frank: Yeah, I donāt know. Nothing is ringing a bell. Sorry. Iād probably just sit home and eat chocolate cake, thatās all I would do.
Bobby: Okay, hereās a question from my friend Tyson, heās wanted me to ask this at an interview for so long now. Rosie OāDonnell or Whoopi Goldberg. Who would you do?
Frank: Wowā¦ Christā¦ Man, thereās no like secret C choice?
Jacey: No happy medium.
Frank: Man. Could I at least give Whoopi Goldberg eyebrows?
Bobby: Yeah.
Frank: Okay, Whoopi Goldberg with eyebrows.
Bobby: Could you tell us something about the band or one of its members that not many people know about? Like a little quirk or something that do on the road.
Frank: Umm, okay, letās see. Iām trying to think of things that wonāt embarrass anybody. One thing, just one?
Bobby: Well, how ever many you want to tell us.
Frank: Iāll give you one about everybody. Rayās never around. Ray will constantly be on his phone, playing a video game or playing guitar in the back lounge with earphones on. Like you will not see him, you do not see him at all. That kid is dedicated to technology completely. Bob is addicted to ā24ā ā the television show. Mikey will be broke at the age of thirty, but have every DVD, comic book, and video game known to man. Gerard, this is probably widely known, but I will assure you, Gerard is as close to genius as you could possibly get.
Bobby: Okay, I guess thatās about it. Do you have any final thoughts you want to add?
Frank: Whatever you do, donāt ever be full of shit.
Bobby: Alright, thanks a lot for doing the interview.
Frank: I appreciate it man.
source:Ā thepunksite.com
HT: Some people are just beginning to discover your success. How long has the band been together and jamming?
Gerard: The band has been together 3 years. Another interesting fact is that the band has yet to ājam.ā Itās never been the kind of situation where we sit around and search for songs. The songs find us, we assemble, and put the pieces together.
HT: You guys write music that follows some type of concept. Does this help you write the music and do you mind giving us a breakdown of how a concept is brought to the writing table?
Gerard: The concepts for the songs almost always come from the music. How the music makes us feel dictates where the direction lies. Occasionally, the song concept will come from a long list of unused song titles I have sitting in my momās computer. They will sometimes find a home.
HT: If you were stranded on a deserted island with only 3 albums to jam out to, which ones would you choose?
Gerard: This is a tough one but I would probably go withĀ The Queen Is DeadĀ by The Smiths,Ā Walk Among UsĀ by The Misfits, andĀ Music For AirportsĀ by Brian Eno.
Gerard: The band was nervous, scared, excited, and anxious but all very positive and looking forward to what we were about to make, which, by the way, had no definite shape or sound.
HT: You guys have been on tour forever! Whatās one of the things you love most about being on the road?
Gerard: The camaraderie you share with your band mates and other bands is priceless. The victories and defeats you have everyday are immeasurable when compared to other lifestyles or careers. The risk and hardship are great but when you have 3,000 people sing back your words, you win like no one ever wins.
HT: Gerard, does anyone ever mistaken you for Billy Corgan?
Gerard: When I was younger, it would happen all the time. When he shaved his head, people thought I was him with a wig on. He is, in fact, a lot taller than me.
Gerard: We donāt get on the internet much, but when we do, some of our favorite sites are www.homestarrunner.com, www.absolutepunk.net, and www.americandreamcomics.com
HT: We are in a new age of music with new gadgets to accommodate that music, and itās pushing us into the future. How do you position yourself on music downloads, for or against?
Gerard: Downloading is a good thing, protected under the federal laws. The way Iāve always felt about music downloading is this. If you are curious and want to find out what a band sounds like, then go download it. If you like it, go buy it. If you hate it, well then thereās really no reason to buy it. But ultimately, a bandās record sales support them personally, so if you want the artist to be able to go live and work then you should pick up their musicā¦ for the cheapest price possible.
HT: Whatās a question you wish was never asked from a fan or interview?
Gerard: Hmmā¦āWould you please bite me on the neck?ā
source:Ā web.archive.org
source:Ā earlycuntsets.org
new season of the L word looking good
this post is about the bat. I had one. you can get them anywhere and put them in your car! š
Iridescent Hanging Plastic Bat, 12in x 5.6in
source:Ā earlycuntsets.org
gerard:
āWe have a photographer I really love, Justin Borucki. He ended up doing all the photos of the band for the record. But he was supposed to do this set up of a man and a woman. It was supposed to be a photo of them covered in blood.
So, I pass all my sketches over, and heās sitting there looking at them and heās like, āWhat do you want me to do with these?ā I was like, āIām just going to give them to the photographer and heās going to recreate the situation.ā He goes, āHow come youāre not using these?ā
Iām like, āI donāt know. I havenāt done art in years.ā So, I didnāt think of myself that way. I didnāt think they were good enough. He loved them. He was like, āThis is your cover, dude.āĀ ā
bonus photo of gerard from this interview:
04/17/2004 skate and surf fest elyse janowski interview with gerard
mcr couldnāt play but still met with fans
08/06/2005 warped tour tinker field orlando fl grneydgurl86 on lj