aw thank you so much!! no worries and remember to always be kind to yourself! <333
absolutely will always love these warped tour franks and the revenge genre of frank. thank you @mikeyswayy! I like to think theres a little revenge frank in all of our hearts and in all of his eras.
today I wanted to send you some 2004 fall out boy I saw on livejournal!
fall out boy, anberlin, don’t look down and punchline
06/12/2004 webster theatre hartford connecticut
11/30/2007 sydney entertainment centre sydney australia – photos by kate walton
source: Flickr / fourkicks
the bullets media player showed up for my older issue bullets 720022-2 (with the eyeball sampler cd reissue from 2005)
found this cool reddit comment that explains the 3 different versions out there
so EB022, europe/uk 986, and the 720022.
haven’t invested in any newer bullets reissues. curious if the player shows up for the other versions.
My Chemical Romance – Frank Iero interview with Bobby from thepunksite.com
May 19th, 2005 Rexall Place – Edmonton, Alberta
As My Chemical Romance passed through Edmonton as the sole opener for the Green Day North American tour, Frank Iero was nice enough to sit down with me and answer a few questions. He was really cool and gave some intelligent answers and made for a great interview. My friend Jacey helped with some questions and pops in a few times during the interview. Thanks a lot to Frank for doing the interview and to Laura for setting it up. Enjoy!
Please Note: All pictures were taken, without permission, from the band’s site.
Bobby: Starting with the simple questions, you guys have been touring with Green Day for quite a while now. How has that been going?
Frank: Oh man, it’s been amazing. I can’t believe tomorrows our last day. It’s one of those things that you get the phone call, and since you were thirteen you wanted to tour with Green Day, at least play a show or see them or something; and when they ask you to tour with them, it kind of blows your mind. You don’t think that they are asking the right band. But this tour has been amazing. We’ve go to hang out with our heroes who treat us like peers. And we get to watch Green Day every night, so that’s pretty cool.
Bobby: Has there been any really memorable moments from it so far?
Frank: Ah man, there’s so many. I mean, the shows are just insane. The shows are unlike any shows we’ve ever played. The kids are great. In fact, it shows that we’ve been playing really well because it takes a while to get used to an arena, you know? But there’s also other memorable stuff that we’ve done outside of the show on the tour. Just hanging out. Like we all went to go see Star Wars together, the other day we went to a Water Park in town. You know what I’m talking about? That was ridiculous.
Bobby/Jacey: Yeah. The one in the mall?
Frank: Yeah, that one. They take us on dates and stuff, it’s really cool.
Bobby: How did you end up getting the opening spot? Like did they just call you, or what?
Frank: Basically, that’s how it happened. The way things work is that a tour will be planned for a headlining band. And then support bands will submit for the tour and say “Hey, we’d love to go out with you”, you know, “consider us.” So I guess we submitted for it, and they picked us. It was ridiculous too because there’s only two bands and that’s really unheard of these days. Usually it’s like a three band bill, four band bill. And for us just to be us and Green Day… It’s not like they picked us because they needed us to sell tickets or something, like they didn’t need us at all. They just liked our band, and that was really flattering.
Bobby: You guys also recently ended the Taste of Chaos tour with The Used. How was that?
Frank: That was fun. That tour was really different because it was a lot of bands that we had toured with back in the day. Bands like Underoath, Senses Fail, and A Static Lullaby we tour with… I guess two years ago and we were doing hundred person rooms, three hundred person rooms. And The Used we toured with a bunch. So it was like all our friends getting together. And when all our friends got together, we could play arenas; and that was really weird. We’d all kind of look at each other and say “Is this real?” But I guess that’s the beauty of it.
Bobby: On the tour, for your encore you guys and The Used did a cover of Queen and David Bowie’s “Under Pressure” and now you are selling it on iTunes. Why did you decide to do that song?
Frank: Well, it was one of those things that Bert brought up and said “I really want to cover this song; I think it would be awesome if both our bands did it.” And we were like “O yeah, that’s rad!” We love Queen. We love David Bowie. But a lot of things in the industry happen where it’s like “Let’s do this!” and then it never happens. So I guess fortunately, and unfortunately… Unfortunately the tragedy happened and fortunately the song came into fruition because we wanted to do something for the disaster. So I think that kind of sparked it. We recorded our parts in L.A. right before we did the “Helena” video; and the Used did, I think, some of it in L.A. and I think Bert recorded his vocals in England. So it was weird, we were never in the same room or anything like that when we did the song. So the first time we ever did it live was a test. We did it once or twice, and they were gonna film a DVD for the tour and were like “O, it would be great if you guys both did it because you’re both here, it would be really cool.” And we’re like “Alright, we’ll try it.” We were excited to play anyway and then it was just one of those things where it was just fun to do every night, so we just did it.
Bobby: Did they film a DVD for the tour?
Frank: I believe so.
Bobby: Do you know when it will come out?
Frank: Nope, I have no clue.
Bobby: With the release of “Three Cheers For Sweet Revenge”, you guys have skyrocketed up the popularity chain, especially here in Canada. You guys went from playing for 100 kids at Warped Tour to selling out arenas at the Taste Of Chaos and opening for Green Day. Why do you think that is?
Frank: It’s one of those things where you start out, you form a band and you write some songs in your basement and you put out a demo or a record on an indie label and you just tour because you love to do what you do. Then you run into kids on the road and they say that they enjoy your art and say that you’ve changed their life in a certain way and that’s the best compliment you can get. It makes you feel like you’re really doing something, like you’re actually changing the world. We haven’t stopped working since those days, so to take a step back be like “O wow, we’ve come this far” – that really doesn’t happen. All I know is that more kids are coming out. I have two plaques in my room, I don’t know, but I don’t see them – I’m never home. Why did that happen? I’d like to think that people heard it and knew that we were a real band and that we had something to say and enjoyed that and took that to heart. I hope that’s the reason. We’ve worked really hard. Maybe that’s it. Maybe God likes us, I don’t know.
Bobby: Do you guys think that that humongous leap in popularity could ever turn into a bad thing?
Frank: I think that anytime a large number of people hear your music and enjoy your music, that’s a good thing. I’m not stupid; I know that a lot of those people could be fair-weather fans. There’s definitely a lot more “Gerard, you’re so cute” rather then “play this song”. That’s a shame. Hopefully the kids who bought the record now and bought it because they think Gerard’s really cute will listen to the record and learn about the band and grow into it and realize why they really like it. If they don’t, that’s fine. If they’re not there tomorrow, we’ll still be doing this and we’ll still be doing this for the people that do get it.
Bobby: How did you get in contact with Reprise Records to release the album?
Frank: Well, here’s the thing. Do you remember Thursday? When they were huge – well, they are on hiatus right now, but like when they got signed, there was a signing frenzy, you know what I mean? Labels were just salivating to sign any band form New Jersey. Kids that had black hair. Kids that wrote about New Brunswick or anything. Anyone from New Jersey was getting signed and you could see that a lot because anybody that was in a band from New Jersey got signed. We were a band for maybe, maybe, two months; and major labels were calling the practice studio that we were practicing in, and that was really weird. We were just like “This is kind of bull shit. You don’t want to sign us; you just want to sign the next Thursday. We’re not going to do this.” We signed to Eyeball, put out an indie record and toured for a while because that’s what we wanted to do. We wanted to make something on our own and it’s a lot better when you work for something. And then we felt it was time to make a jump, or take the next step. Eyeball couldn’t reach the amount of people that we really wanted to reach. We toured a lot without the record being really anywhere. And we were like “you know what; we’re not going to sign to another label unless we find something that really gets us and it feels like a family.” And one day we were contacted by Reprise. Reprise, Warner, same thing. And we signed for the company. Everybody that works with our band gets us. They wanted us to be My Chemical Romance, they didn’t want us to be The Used, they didn’t want us to be Thursday or whatever. And that was amazing for us. There was no stipulations, its was just go out, be a band and write songs that you love to write. So we were like “alright!” and we did. I really don’t think they thought they were going to get a really good record, and I think we wrote a really good record so we’ve never regretted that decision.
Bobby: What’s it like switching from a small independent like Eyeball to a major like Warner Music?
Frank: You feel like people are behind you, you know what I mean? It’s weird; I always thought that it would feel less like you have people behind you because it’s such a big company with so many bands. But a lot of people have our backs. A lot of people are pushing for this band to do well and for us to reach our goals. We really just have a lot of help and that’s a great thing and there’s people at the label that really believe in you and their job is to, basically, make sure you get what you want. If we wanted to, let’s say, do another David Bowie cover, they would make that happen; and that’s awesome you know. That’s really the only difference, and your record is everywhere.
Bobby: Yeah, because it’s hard to find your first one. All my friends are looking for it and can’t find it.
Frank: For that, we just say go on the internet and find it.
Bobby: I gotta ask this because I love your videos, like we were watching them at my house last night. “Helena” and “I’m Not Okay”, where did you come up with all the concepts of the video?
Frank: Because we’re just nerds. That’s how it is. We sit in our van or our bus, bus now, and just talk about stupid stuff. Read comic books and watch movies. And then the label’s like “We want to do a video” and we’re like “Okay, this is what we want to do.” Then we found a director, his name is Mark Webb. He did both our videos and he’s directing our new video that we are doing in… actually three days. And he’s like “alright, I think we should do this” and we wanted to do this, so we just kind of mixed it all together. Same thing with “Helena,” although “Helena” was a little bit easier only because I left it up to Gerard. It was about his grandmother, him and Mikey. It was their homage to her. It was creepy, because I was at the actual funeral and it resembled the funeral almost to a T. It was really weird. And some of that you wanted, and some of that just happened. But with the dancing and everything like that, well we always try to have an uplifting theme. I think our music is very ironic in that we’ll have a dark theme with heavy music and a darker theme with an uplifting message.
Bobby: You just said you’re shooting a video in three days, for what song?
Frank: “The Ghost Of You.”
Bobby: Do you have any ideas as to what the concept is going to be?
Frank: Yes. But I can’t tell you. Sorry. It’s going to be huge. I promise you this, it’s going to be more like a movie then any other video we’ve done and it’s going to be enormous. Yeah, we’ve thought this out a lot. It could really, really suck, but we hope it doesn’t.
Bobby: Now I’m looking forward to seeing this video. How do you guys pick what songs you want to be singles?
Frank: Well, it’s one of those things where when we wrote the record we had ideas for what songs we wanted to hear on the radio, but we didn’t really decide any. It was kind of like “we like all our songs, you’re the label, and you decide which ones to put out.” And they were like “okay, put this one out. Put this one out. Put this one out.” If, after this one, they do another, I hope it’s “Prison.”
Bobby: On the “I’m Not Okay” video, Gerard says “I don’t wanna make it, I just wanna…” and then it cuts to the music. Can you finish that sentence for us? “I don’t wanna make it, I just wanna…”
Frank: See, the original line was… well, it summed up the entire cheesiness of the teen movie type thing. It was “I just wanna rock!” And it was just too much. We wrote a million other things, “I just wanna be myself”… ah, what were the other ones… there were so many. But we just left it open because I think you get a lot more out of it if you just leave it open and put whatever you want to put in there. In that scene, Gerard is like every kid. He’s me, he’s you, he’s everyone. It’s like, you know what, a lot of people are told they aren’t going to make it, but just do what you do best and live your life. Live it for yourself, and really just fuck everybody else.
Bobby: A lot of punk “elitists” are starting to complain about the whole “emo” trend. Guys wearing makeup, and wearing girls pants. Mark Adkins from Guttermouth went on a huge rant about it all on their site and even went to the limit of calling Gerard a “fat pink raccoon.” What’s your opinion on all of that?
Frank: I think, he’s a racist, he’s a sexist, he’s homophobic, he’s a hateful person, and it’s just wrong. We could all sit here and call people names and hate people for the way they dress or the music they like or just the things that they think are cool. But that doesn’t make us any better. It’s an awful thing where you have such a soap box, like you have a lot of fans that are into your band, and you use that to spew hate. I guess that’s his opinion.
Bobby: You guys are also heavily involved in the Shirts For A Cure project and have a total of four t-shirts on there now. Why are you guys so involved in that?
Frank: Because it’s a good cause. Definitely, maybe this sounds dumb or naive, but when I started playing music and when I started growing up, all I ever wanted to do was to change the world in some way. Make a foot print. I think the worst thing you could possibly do is to live your life and have the world be the same way it was before you were here as it is after. I think that we’re here for a reason and if we don’t do something to make the world a better place, then we just wasted everyone’s time. And if we can do something as small as put t-shirts on website and raise money for a cure, then we’re going to do that.
Bobby: Okay, if you guys could pick one person or band, dead or alive, to tour with, who would you pick to tour with and why?
Frank: Oh man… Definitely the original Misfits line up because they are just amazing. The Clash would be amazing. The bands that I grew listening to, like Black Flag. Man, if I could tour with Black Flag with Keith Morris singing, like the original line up, that would be amazing. Yeah, bands like that.
Bobby: Okay, now onto to more unusual questions that I like to ask at all interviews. First off all, if you guys were stranded on a desert island, with no food and nothing to eat, which one of the band members would you eat to survive?
Frank: Wow. O man. It definitely wouldn’t be Mikey, because he’s got nothing. I don’t know. I wouldn’t eat Gerard or Bob because they are just great company, and I wouldn’t eat Toro because he’d probably be the one to figure out a way off the island. So I’d probably have to eat my own leg.
Bobby: If you were the member of the opposite sex for a day, or a week, or whoever long you wanted, what would you do and why?
Frank: Man, what would I do…? I’d probably get lower car insurance. I don’t know, what would I do… that’s a good question, I’ve never really thought about it.
Bobby: Yeah, not many people do.
Frank: Yeah, I don’t know. Nothing is ringing a bell. Sorry. I’d probably just sit home and eat chocolate cake, that’s all I would do.
Bobby: Okay, here’s a question from my friend Tyson, he’s wanted me to ask this at an interview for so long now. Rosie O’Donnell or Whoopi Goldberg. Who would you do?
Frank: Wow… Christ… Man, there’s no like secret C choice?
Jacey: No happy medium.
Frank: Man. Could I at least give Whoopi Goldberg eyebrows?
Bobby: Yeah.
Frank: Okay, Whoopi Goldberg with eyebrows.
Bobby: Could you tell us something about the band or one of its members that not many people know about? Like a little quirk or something that do on the road.
Frank: Umm, okay, let’s see. I’m trying to think of things that won’t embarrass anybody. One thing, just one?
Bobby: Well, how ever many you want to tell us.
Frank: I’ll give you one about everybody. Ray’s never around. Ray will constantly be on his phone, playing a video game or playing guitar in the back lounge with earphones on. Like you will not see him, you do not see him at all. That kid is dedicated to technology completely. Bob is addicted to “24” – the television show. Mikey will be broke at the age of thirty, but have every DVD, comic book, and video game known to man. Gerard, this is probably widely known, but I will assure you, Gerard is as close to genius as you could possibly get.
Bobby: Okay, I guess that’s about it. Do you have any final thoughts you want to add?
Frank: Whatever you do, don’t ever be full of shit.
Bobby: Alright, thanks a lot for doing the interview.
Frank: I appreciate it man.
source: thepunksite.com
“Musician Interview with: Gerard Way of My Chemical Romance”
Recently, I chatted with Gerard Way of My Chemical Romance and below is what he had to say:
FLES: What are your favorite songs from “Three Cheers For Sweet Revenge?”
Gerard: The most special song to me is ‘Helena,’ which is about my grandma. I think my Favorite song to play live and my favorite on the record is ‘You Know What They Do To Guys Like Us In Prison.’ I think it’s very important for us as a band to write songs like prison because it’s kind of constantly breaking boundaries
of what could be done by a modern rock band and
still work. I think it’s important to do those things
and take risks. I think it’s the most important song
on the record for that reason.
FLES: When you went into the studio to record the album how many songs did you have and how did you decide which ones would make it onto the album?
Gerard: We actually went into pre production with not that many, I think we had about half a record, then we got really inspired and ended up writing a whole bunch of songs, tweaking sections of songs we previously had and fragments [of songs] became songs. We had become so inspired we got finished with reproduction a week early. I’d say there really isn’t anything left over, but like two songs. One of which was kind of a joke and the other one was an acoustic thing we wanted actually wanted to have the whole band but by then we didn’t have time to redo it.
FLES: How long did it take to record the album?
Gerard: I think only two months. I think we would have gotten it done a little faster than that but [producer] Howard [Benson] wanted to kind of paced the record because we started moving so quickly, because it was so spontaneous. He said, sometimes if you make a record too fast it gets away from you then when your done with it you realize there’s lots of stuff wrong with it. So there were lot of moments were [we] had to stop for a few days here and there.
FLES: How do you decide which songs are releases as singles?
Gerard: We don’t. I think it’s the smartest thing a band can do is not to decide what your singles are because then you don’t write songs to be singles. We let the label decide. That way you can literally honestly say to yourself we don’t write singles, we write records, and you can really retain your artistic Integrity that way. So we gave them [Warner Brothers] the record literally sight unseen and said “here pick the singles, if you find any at all.” They found four, at one point there were six songs they were very excited about, then decided on four of them.
FLES: What was your reaction the first time you heard one of your songs on the radio?
Gerard: It was off our first record, [I Brought You My Bullets You Brought Me Your Love], and I heard ‘Vampires Will Never Hurt You,’ on a college radio station and it was probably the biggest thing to me in the world. To this day, even hearing “Revenge” songs on commercial radio isn’t as big a deal as that first time hearing it on just a college radio station. I think it had like a hundred mile radius.
FLES: Does the band have any plans to release a live CD/DVD?
Gerard: We have been filming footage since the last warped tour and we still have a camera out. I don’t know, we’re talking about it. We feel usually people will put out DVD’s in order to sell as many DVD’s as they did records. That to us is kind of a cheap and sleazy thing to do, ‘cuz their hot at the moment so lets rush a DVD together and get it out. If we put one out it’s going to be because we have so much footage that really tells the complete story of the band as far as we when we had signed to a major [label] the process of recording a record, making the record, and then busting our ass touring on it for the whole time. I think, if we get enough footage to warrant a DVD, we’ll have one. Live CD is something we never actually talked about. We’re kind of one of those bands you need to see live in order to get it. We don’t know if a live CD would work for us but it might, I don’t know.
FLES: Well, we’ve seen MCR about 5 times in concert and I think a live CD would be a great. I think you guys are really good live.
Gerard: Thank you very much. I think it would be cool. Maybe in between not this record or the next but after the next record it might be a good idea to put out a live CD.
FLES: How much preparation went into planning and performing “Under Pressure” with The Used?
Gerard: I’d say a fair amount, not a lot. As far as preparation it was really just go ahead and do it. Two bands in two separate countries we had a very small window of opportunity in which to do it. Two of my guys flew out a day early to LA before we started some tour and I was out there and did my vocals. The Used based off of our template of the song put their parts over it and then it was together. We didn’t play it live together until a week into the Taste of Chaos tour. It was pretty much let’s go head and go this. We tried it for two sound checks then we played it live.
FLES: Is iTunes the only place to purchase the song?
Gerard: Yes.
FLES: Will My Chemical Romance and The Used collaborate on more songs in the future?
Gerard: It’s hard to say. We’re such good friends and we’ve known each other for a long time, I’m sure that’s a possibility. We love collaborating it’s a very cool thing to do; especially if it’s for the right reasons. The thing about Under Pressure, it was for a good cause.
FLES: Do you have any Idea how much money the song raised for the Tsunami Relief?
Gerard: I Believe when it came out $25,000 dollars was initially raised and I think it’s still up in the top three (at the time of this Interview) at iTunes and still raising a lot of money.
FLES: Has the popularity of My Chemical Romance taken you by surprise?
Gerard: It really has. We really believed in ourselves. We believed in the music, we believed in the record, I think a lot more than a lot of other people did. We kind of always knew it was going to be something very big, in terms of speaking to people but we were very surprised by the same element were not use to we’re use to being normal guys. That’s the whole idea behind the band that were very private normal people that when we get onstage we become like these extraordinary characters almost like superhero’s that’s kind of how it works. It started carrying to offstage and we became really the same offstage and that was really strange for us and it’s harder to deal with especially if your bunch of guys that are just like geeky comic book nerds that have no privacy.
FLES: Where Do You See My Chemical Romance say five years from now?
Gerard: In five years, I would see us getting ready to put out a new record after the next one. We’ll probably put out another record after this then tour extensively on it. Then I’d like to see the band take a break for a little while to reevaluate themselves as individuals and as a band and to kind of evolve again as a band, I think that’s really needs to happen and I think some of that stuff only happens from breaks. I see us probably as almost a completely different sounding band with the same ethics. Maybe on a different level I’m not really sure. I know we’ll still be doing this though.
FLES: Any idea when the next album will come out?
Gerard: We want it to come out two years to the [release] day of Revenge. We probably would have called the record sooner but Revenge ended up doing so well that we’re going to continue to tour on it.
FLES: What was it like for you to tour with Green Day?
Gerard: We’ve been on it for about a week now and we’re probably on the seventh show. I’m going to say for the record they are the nicest guys we’ve ever met. We’ve never seen a band reach out to us so much in so many ways, in a live set, on a person level. They really make us feel like fellow musicians. We’ve toured with bands that were only slightly bigger than us or at our level that acted more like rock stars. They don’t even act like rock stars, they’re just a punk band and they put on the greatest, greatest fucking show in the world. I definitely think they’re the greatest rock band right now.
FLES: What are your thoughts on being nominated for “Golden gods” award?
Gerard: You know I just found out about that. I’m not very familiar with the golden gods award but I am very familiar with Metal Hammer who does those. Metal Hammer is a really supportive magazine and its really great. I wasn’t aware of the award but it feels awesome to be nominated for anything. We kind of stay away from press though, positive or negative, we kind of live in a bubble. It’s good to not want nominations and it’s good to not strive for nominations, If you get them it’s kind of like frosting, it’s a bonus. We were use to for so long being the band who was kind of underrated and we were use to not being nominated for stuff and use to being under the radar for so long even though, we felt we deserved a little more recognition. In a reader’s poll two months ago we were the most underrated band now were the most overrated band. It’s funny to go from underrated to overrated so quickly. You get so exposed it becomes less cool to be into your band.
FLES: I have a feeling My Chemical Romance will be nominated for quite a bit of awards in the future.
Gerard: Thank you. We have a good feeling about that stuff too.
FLES: Gerard, Thank you for your time.
Gerard: No problem. Thank you very much.
My Chemical Romance is from Newark, NJ and tour on a regular basis. Their music in on Warner Brothers Records and is available at the usual outlets.
Online users may purchase their music at Amazon.com. For more band information visit the official My Chemical Romance website . To sample music by My Chemical Romance visit their page at myspace.com.
Interview by Michael Montes – Copyright © 2005 Florida Entertainment Scene – All Rights Reserved.“
photo is from the sun dome tampa florida 04/18/2005
upset 10/2017
“WHEN I WAS 13, THAT WAS MY PLAN GOING TO MAKE A RECORD WITH STEVE ALBINI”
FRANK IERO’S NEW EP SEES HIM TEAM UP WITH STEVE ALBINI, AND AN UNEXPECTED 4 GUEST – HIS FIVE-YEAR-OLD DAUGHTER, LILY. WORDS: HEATHER MCDAID.
FRANK IERO & THE PATIENCE
KEEP THE COFFINS COMING EP
‘Keep The Coffins Coming’ is a glimpse at the time between ‘stomachaches’ and ‘Parachutes’,
where Frank lero and the cellabration- x-Patience worked out where they were going next. As the band now approach the post-Parachutes crossroads of ‘Where next?, it feels the fitting time to release this snapshot. ‘I’m A Mess’ is rougher and raw around the edges, a fledgeling version of the song that would be streamlined for the upcoming album. It’s got the Steve Albini touch of capturing the vibe of a room – like the basement jam version, the live version. ‘Best Friends Forever’ came to life years ago with Frank’s kids in tow, helping with the writing and dare we say stealing the show in
the video, and here it evolves into the full band version. ‘No Fun Club’ leaps off with some of the ‘Danger Days’ swagger and Frank yells and shifts gears into the punk revelry he excels in. ‘You Are My Sunshine’ is sickeningly chirpy at the best of times, but put the lero twist on it, and it becomes a mellow, stripped back version of itself to close proceedings.
The EP saw Frank and co. pondering their future; it was never about perfection, but capturing a snapshot in the band’s lives and a rare opportunity to work with their idols. Rarely do you see the middle step between albums, you just see the endgame transformation. But here it is – the unapologetic, raw and eclectic bridge of Frank lero’s solo work, the bones of what the band moved on to be.
Heather McDaid
Frank lero knows one or two things about ticking items off the ol’ bucket list. In his time with My Chemical Romance, he played a sold out Madison Square Gardens, appeared on Saturday Night Live, and headlined Reading & Leeds. He has more plaques than he knows what to do with, and that’s just for starters.
“I’ve been extremely fortunate in the things that I’ve gotten to do and the bands I’ve gotten to play with,” says Frank. “We crossed off quite a few of those bucket list opportunities with My Chem and now to be able to do that too with my solo career is unbelievable.”
This latest item to be scored off the list is to work with the iconic producer Steve Albini, who produced Nirvana’s final album ‘In Utero, on his EP ‘Keep The Coffins Coming: The obvious place to start is, how exactly do you react when you get a call saying that you’re off to work with someone like Steve? “It’s weird, man” laughs Frank. “I was in the middle of writing and trying to figure out the next record. My manager Paul asked for bucket list stuff, people I’d always wanted to work with. Steve was always at the top of that list.”
“When I got the call that he wanted to work with us and we were booked it was like-” he bursts out laughing “-I don’t think I was able to wipe the smile off my face. I’d been wanting to work with him from, jeez, like ’94. When I was 13, that was my plan, I’m going to make a record with Steve Albini, I don’t care how it happens, but that was the dream record to make.
“His records sound so visceral. Never before did I put on a record where I felt like I was in the room. He really is hands off in that he wants to capture the band’s sound. It’s a special thing, like visiting a museum and getting to be in a room with some of your favourite bands and listening to some of your favourite records. Take ‘In Utero’ for example, those sounds and performances are straight up what was played in that room, there’s no bells and whistles or crazy magic behind the scenes. It’s all about the way he likes it and the way he records it.”
That was the magic Frank was excited to capture. “I kept thinking on the trip out to Chicago as I’m driving, ‘Oh, man, I’m going to get the call any moment that this was a hoax and it’s not going to happen!”
But it did happen, and at an interesting
FRANK IERO & THE PATIENCE
time too. Sitting between albums, Steve captured the time in Frank’s career between his first solo record and the second, when he was still unsure what it was going to become. video features their vocals and adorable balaclava-clad appearances, and now it’s a full-band song produced by the legendary Albini.
“They are adorable,” he laughs. “Lily is the one that actually wrote the chorus to that song. Whenever she and any of the other kids would fight, she would passive aggressively stick this thing in their face, this best friends forever song and it really started with ‘Best friends forever but not now. She was just like screaming at them to let them know that she was very, very upset with them.” The EP is made up of four songs, one of which made the cut for the subsequent album. “I had written a couple of songs that I knew I wanted to be on the album, but I didn’t know exactly what ‘Parachutes’ was just yet,” he explains. “One of the songs was ‘I’m A Mess. It might have ended up just being a standalone track, but I wanted to bring that in regardless. I knew I wanted to bring in a whole band version of the song ‘Best Friends Forever’ and also ‘No Fun Club. I had been toying with that, and I really needed to get it out of my head. When that started to take shape, I knew that it could work as a standalone release.
“I DIDN’T KNOW IF THESE SONGS WERE EVER GOING TO SEE
THE LIGHT OF DAY.” FRANK IERO
“My way of dealing with that was to take this song and make it into something. We all sat down in a circle with my guitar one day and figured out what the chording would be, wrote the rest of the song and recorded it in my basement.
I thought it would be really fun to release it and whatever profits came in can go into their college funds. I started to really listen to the structure of the song and realised, man, I can play this live, and they would get a kick out of it whenever they saw I played the song and kids sang along. I put together a full band version and thought it’d be cool to have the original version – like I did with ‘Mess’ – with the kids on it, and now you have this full band Steve Albini version.
That’s the other thing too, a bucket list: I’m going to go in the studio with Steve Albini, someone I’ve wanted to record with ever since I was a young kid getting into music and punk rock and playing in bands. That mirrors my kids being young, writing songs. How cool is that? She released her first single and video at five, and I took that song and recorded it with a legendary engineer and producer. That’s crazy. I knew that song needed to be done that day.
Basically what you’re hearing is a stop gap where the band transforms from where we were at the end of touring ‘stomachaches’ and right before we really fully realised the ‘Parachutes’ record. That time for me is almost like this lost in translation moment. There was definitely this bridging gap between those two records – this is that hidden step. It’s interesting because as a listener, you never see that step. You hear album one. wait while your favourite bands are in the studio, then hear the final step in the evolution to album two.
Exactly! Here’s the thing, when we went in the studio, I didn’t know I was going to record an EP. I just wanted to record these songs, whether it was just for me or not I’d be happy with it. I didn’t know if these were ever going to see the light of day, it was something I needed to do.”
‘Keep The Coffins Coming’ is a snapshot in time. It captures an opportunity beyond
Frank’s wildest dreams, a crossroads where he pondered the next step, and a gift to his kids in various forms. Right now, he sits between album two and three. The question is, where next? Whether or not there’ll be the chance to see the next stop gap for this particular era, we sure are excited about the upcoming ride.
An interesting side-effect of the process was double-recording songs. Frank wrestled for a while comparing the two versions of ‘I’m A Mess’ but ultimately grew to see they fit perfectly in their own respective worlds as two different versions. Seeing that evolution in songs is something he was also able to gift his children by including their collaborative song ‘Best Friends Forever.
Frank lero And The Patience’s EP ‘Keep The Coffins Coming’ is out 22nd September.
more photos from blackvelvetmagazine.com (why I think it’s this show)
11/01/2005 wolverhampton civic hall wolverhampton england
source: imnotokay.net
